Articles by Lisa Redfern

COLOR MANAGEMENT - WHAT IS IT?



Before and after Redfern color enhancement.

We're all involved in color management every day. What colors do you wear, how about your car, fingernails...hair...what's the color scheme of your house / room?

Much of our perception of color is intuitive. You just know automatically whether you like a color or not. In professional photography, color management mostly has to do with skin tones and print quality.

We're all familiar with color blindness, but did you know that there is a wide color spectrum that people perceive? Some people see yellows well and others are stronger in magenta or cyan. Usually where you are strong in one area, you are weak in the opposite.

"I have a basic 'recipe' that I use when adjusting colors. Mostly it has to do with yellows and reds in the highlights and shadows. I also like bold and bright colors - this color style is evident in the prints we output. My biggest challenge is when people wear white. Since most of our portraiture is outside, the reflections and light bouncing off the elements is most evident on white fabric," comments Lisa

Fortunately, when people hire a professional photographer, they never have to think about color management. All they need to know is that they love their portraits!

 

 

CHOOSING A PROFESSIONAL PHOTOGRAPHER
 

Whether it is for a wedding, publicity shots, family portraiture, high school graduation or any kind of professional photography - documenting the important times of your life should involve careful consideration of who you hire for the job.

Several ways to do your research are;

- view a photographers portfolio / images,
- talk to people who have used that photographer,
- conduct an interview.

An image does speak a thousand words...if you know what to look for. Is the expression natural or forced? Is the body position slimming or widening (for females) - thinning or bulking (for males)? Do the light and shadows look good to you?

It always tickles us at Redfern when a customer comes in who notices these fine details. Lilla Szakas, a Nevada Union Senior spent a lot of time scrutinizing her friends portraits. Upon picking up her final order, she said, "You guys are so awesome! I'm so glad I picked Redfern for my Senior Portraits - I just love them!"

Word of mouth is a valuable research tool. If your friends were happy with the service they received, chances are you will have a similar experience. How was the photo session? What types of things did the photographer do in regard to posing? Did he or she make you feel comfortable and relaxed? Did the photographer and his or her staff make the ordering process easy to understand? Would your friends use that photographer again?

Conduct an interview. When and how they answer their phone leaves an impression. Do you feel comfortable with the people and how they respond to you? Will you look forward to spending your time in their company? It's always a good idea to jot down any lingering questions and ask them at this time. It is pleasing for a photographer to speak to potential clients who have done their research ahead of time.

Although we all have to be concerned about the cost of our goods and services, it's disheartening when the first question people ask is the cost of something. Usually this means that the person has not done any research at all."I like to think of our portrait work comparable to an engagement ring or a luxury vacation you've looked forward to all your life. Portraits are important things that preserve our precious memories...it's the first thing people think about when disasters strike our homes and something we regret if a loved ones passes out of this existence and there was a missed portrait opportunity. Cost should be a consideration, but it should factor in lower than portrait quality," says Lisa Redfern.

It takes decades of experience to develop the technical and personal skills necessary to make portrait photography seem easy. The clues to how good your photographer is shows in his or her body of work...if you know what to look for.

 

 

 

 

   

Digital Photography - Changes Impacting the Landscape of Professional Portraits

By Lisa Redfern

With the affordability and ease of small point and shoot point-&-shoot cameras these days, it’s easy to understand how many people might think that that can replace a professional photographer for the keepsake moments of life. But as one of those these pros, I’d like to highlight some of the unseen elements of the professional photographer that have nothing to do with the camera.

First, in order to capture those expressions that grab your heart, the professional photographer must be a people person. He or she has to be an expert at putting a person at ease (quickly) and distracting attention away from the equipment, AND they must also be part stand-up comic because it is essential to hit the funny bone (for every personality type) in order to capture that sparkle in the eyes that creates a warm and genuine portrait of an individual.

Also, for the professional photographer - with significant experience -  it is second nature to observe what is going on in the background (trees, power lines, light or other elements that fall in distracting quadrants onto the image) as well as how the subject’s body is positioned ( flattering vs. unflattering / masculine vs. feminime) and how and where the light falls on the subject that factors so significantly into creating an image that becomes more than a snapshot - but, instead, a work of art.

Additionally, one of the ways that the advent of digital photography has changed the professional photographer’s job is that it puts more elements under their control that were previously the domain of the processing labs, such as color adjustment and retouching. "Since my studio went digital in 2003, I have developed my own color and retouching style that is unique - most of what I do is not something that I can describe to non-artist, non-techie types - but what most people know is that they really like what they see in the finished product I create. One thing I always do for example - is to whiten my subject’s teeth …no need for costly whitening strips here!"

Finally, one thing that has not changed with the 'new' technological environment is how business is run. With a solid business model, professional studios withstand the tests and challenges of time. They will be there when the next sibling graduates or gets married.  Images taken by professional photographers are kept safe and secure for the future whether reprints or enlargements are required in times of grief and sorrow or prosperity and celebration.

When things change as quickly as they do in this business, it's essential to stay ahead of the curve! Continuing education is a constant job requirement.  

"I'm always asking myself this question; ' If my customers can do XYZ, what service(s) can I offer that they'll want / need in the future?'" 

 

High School Senior Portraits - Right of Passage with a Small Window of Opportunity

 

"High School Senior portraits are a rite of passage, it is one of the most beautiful and memorable times in one’s life and is often one of the two times people have professional portraits taken (HS Senior & wedding)," says Lisa Redfern of Redfern Photography. "I always find it touching and telling that when disaster strikes, the things people most often quickly grab are their portraits."

July through October is the time when High School Senior Portraits are taken for the following year's yearbook. ( in order to meet yearbook printing deadlines).

For many years, Redfern Photography has worked with both Nevada Union and Bear River High Schools photographing high school seniors and producing images for the yearbook. During that time, I’ve noticed class trends (I call this a class personality) in responses to mailed materials regarding senior portraits,  in reaction to school starting and then the buzz created by those who have completed the process and are excited by their finished professional portraits that they share with their classmates.

"One of the things I love about my job is working with the students.  I enjoy hearing about their dreams and aspirations. From veterenairains, to physisists, to military, to future rocket scientists on their way to MIT with full-ride shcolarships - the calibur of students who traverse through the Nevada County school system never ceases to amaze me. "

A concerning aspect of this class, however, is a higher number than usual appear to be waiting until the end of the portrait season to schedule their portraits. (This may also be a response to the current ebb in the economy.)

Payment and production schedules can ALWAYS be modified to fit any need, however the time for High School Senior portraits is finite.